Pictography, printed in sublicromie on metal with a aluminium chassis, available 45/60cm (2015)
Pictography, printed in sublicromie on metal with a aluminium chassis, available 45/60cm (2015)
Pictography, printed in sublicromie on metal with a aluminium chassis, sugested print 45/60cm (2015)
Pictography, printed in sublicromie on metal with a aluminium chassis, sugested print 45/60cm (2015)
Pictography, gold leaf, photography and free-hand deconstruction (2012)
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Unique piece, Make Up For Ever products, gold and silver foil, HD print (1080X560 DPI in 6 colours) on a 100% recycled support with UV non-solvent “Imprim'vert “ paints, wood box (2013)
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private collection (2012)
Icone 80/60cm Unique piece, gold and silver foil, HD print (1080X560 DPI in 6 colours) on a 100% recycled support with UV non-solvent “Imprim'vert “ paints, wood box
Pictographie, impression 154cm-104cm, bodypainting and photography, gold leaf & bodypainting (2012)
Unique piece, Make Up For Ever products, gold and silver foil, HD print (1080X560 DPI in 6 colours) on a 100% recycled support with UV non-solvent “Imprim'vert “ paints, wood box (2013)
Go to link
Unique piece, Make Up For Ever products, gold and silver foil, HD print (1080X560 DPI in 6 colours) on a 100% recycled support with UV non-solvent “Imprim'vert “ paints, wood box (2012)
Go to link
private collection (2012)
Unique piece, Make Up For Ever products, gold and silver foil, HD print (1080X560 DPI in 6 colours) on a 100% recycled support with UV non-solvent “Imprim'vert “ paints, wood box (2013)
private collection
private collection oil painting 2015
private collection oil painting, photography of the art to wear piece and digital art. 2013
digital art plexiglass and photo paper 80/60cm 2010
Aurore
LA BEAUTE NE VAUT QUE SI ON LA PRESERVE
Les pictographies d'Alexandra Mas interroge sur l'évolution du mal que l'on fait à la planète. La photographie devient un outil, comme le pinceau du peintre sur le tableau, comme l’ébauchoir qui applique l'or et l'argent sur la peau. Maîtrise somptueuse d'une technique particulière, la pictographie de l'artiste, ici, colle avec son questionnement sur le respect de la nature par l'oeuvre elle-même. Elle utilise des photographies de body painting - produits Make Up For Ever et application de feuilles d'or et d'argent - qu'elle a réalisées sur le corps de ses muses, superposées sur des photographies/clichés de ses propres toiles ou même peinture directe.
Jean DEULCEUX, lecturer & art critic
Time God
production 2012 pour l'exposition L'Aurore des Temps
direction et animation: Alexandra Mas
Montage: Aurore Tomé
Musique: Mike Altrin
Time's Dawn
BEAUTY IS VALUABLE ONLY PRESERVED
This pictographic works are questioning the evolution of our evil impact on the earth. The photography is here but a tool, next to the painting bush, the gold foil or the free hand electronic pen. Alexandra Mas masters sumptuously this unique technic, the pictographic work, which answers even physically to this question of nature respect, as they are made with a “ImprimVert” ink on a 100% recycled support, in a wood box.
Jean DEULCEUXArt critique & lecturer